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Archive for the 'Fiction Discussion' Category

Wednesday, January 26, 2011

Trends in Young Adult Fiction

Over the past few years, the Young Adult fiction market has exploded. The number of YA books published saw a 25% increase between 1999 and 2005, and the market continues to grow. The quality of the writing has increased dramatically as well, becoming both more literary in style and more complex in terms of plot and character. This is good news for teen literacy, which continues to be a struggle across the country.


Here is a breakdown in current trends for teen fiction:


Fantasy


Many of today’s teens grew up during the Harry Potter craze, which served as an introduction not only to reading in general, but reading fantasy in particular. The fact that the Harry Potter series evolved from book to book, growing darker and more complex, helped readers remain interested as they grew older. The fantasy genre has a long history in children’s and young adult fiction, and today it is flourishing more than ever.


Dark Fantasy/Paranormal


This is perhaps the first trend that comes to mind when many people think of YA fiction today. Stephanie Meyer’s Twilight series is inescapable these days, and it is at the forefront of a lengthy and growing list of books about brooding supernatural creatures. Many of these, including Twilight, concentrate heavily on the damsel-in-distress and romance motifs, although the genre has begun to move toward stronger female characters. Regardless, the genre’s appeal to teens seems here to stay.


Post-Apocalyptic


Often an off-shoot of the science fiction or historical genres, post-apocalyptic YA novels have been coming into wider popularity over the last few years. These books frequently feature teens who have the ability, intelligence, and drive to save or renew societies that are failing because of the mistakes of the adult populace–and keeping in mind the perennial generation clash of teens and their elders, it is easy to see the powerful appeal such stories would have for YA readers.


Manga/Graphic Novels


The modern world is inundated with visual stimulus–TV, movies, video and computer games, smart phones–so it should be no surprise that stories told in a visual format have finally come into their own. The first comic book was printed in the US in 1932, and the genre has had its following ever since. But never before has it enjoyed such widespread popularity–these days, the manga/graphic novel section of a bookstore can easily take up several rows. The range of topics and quality of the writing is equally as diverse as traditional YA fiction, ranging from bubblegum boy-meets-girl-with-hilarity-ensuing to gritty, complex stories about vampires, the challenges of everyday life, and everything in between.


Chick Lit


Every girl wants to be beautiful, popular, and in fashion. Every girl wants to snag the hot guy of her dreams. Chick lit is all about that, and it’s easy to see the appeal. Humorous series like The Confessions of Georgia Nicolson feature main characters who find themselves in one socially disastrous (but entertaining) situation after another. The teen years are rife with social awkwardness, and books like this provide a way for girls to identify with the character, laugh at her pratfalls, and navigate through their own social interactions with greater deftness. On the other end of the genre are series like Gossip Girl, which concentrate on the lives of wealthy young socialites. These books are more serious in nature, often dealing with mature and sometimes racy subjects, and they have wide appeal in today’s celebrity-obsessed culture.


Realist


While books like Twilight are on the low end of the quality spectrum, there are many YA novels that are extremely well-written and deal with weighty, realistic themes. The books in this genre are very sophisticated and literary, and comprise the majority of award-winning fiction for young adults.


Trends in fiction, both young adult and otherwise, can be subject to swift, dramatic changes. It is easier to identify current trends than it is to predict what may be popular in the future. Regardless of which genres are popular in the upcoming years, the overall trend toward an increasingly literate teen populace is an encouraging and exciting thing, and one that seems destined to continue for the time to come.



posted by Sibella  |   12:51 PM  |   0 comments
Tuesday, January 18, 2011

The Society of Children’s Book Writers and Illustrators Conference

Good morning. Today is January 18, 2011, and I am busy planning for the Society of Children’s Book Writers and Illustrators conference. This conference takes place in New York City later this month, which I will be attending.


The Society of Children’s Book Writers and Illustrators (SCBWI) was founded 1971 by a group of Los Angeles-based children’s writers. It is an international organization based in Los Angeles, California, representing professionals in the field of children’s literature. It is the world’s largest children’s writing organization and the only international organization for people who write, illustrate, or have a professional interest in children’s literature. There are currently more than 22,000 members worldwide, in over 70 regional chapters, writing and illustrating in all genres for young readers from board books to young adult (YA) novels. The SCBWI facilitates communication between writers, illustrators, editors, publishers, agents, librarians, educators, booksellers, and others involved in the field.


Membership in this society provides many benefits for writers, including information and support, access to awards and grants, networking, local workshops and get-togethers, inside publications, online resources, manuscript and illustration exchange, member discounts, and more.


The SCBWI sponsors two annual conferences, on the west and east coasts of the United States, usually in Los Angeles and New York City, as well as many regional conferences and events throughout the world. It publishes a bi-monthly newsletter, has an interactive website, and gives out a number of awards and grants. Among these are the annual Golden Kite Award for the best fiction and nonfiction books and the Sid Fleischman Humor Award.


At this year’s winter conference there will be a panel discussion on Creating and Recreating the Picture Book: Three Views. There are also three workshops about What Makes Your Work Publishable: Today’s Market in Children’s Books.


I am looking forward to all the other authors I will meet at this conference, as well as all I will learn from the speakers and workshops.

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posted by Karen Jean Matsko Hood  |   10:48 AM  |   0 comments
Wednesday, September 08, 2010

Writing a Romance Novel

According to Romance Writers of America (RWA), the main plot of a romance novel must revolve around two people as they develop romantic love for each other and work to build a relationship together.  Both the conflict and the climax of the novel should be directly related to that core theme of developing a romantic relationship, although the novel can also contain subplots that do not specifically relate to the main characters’ romantic love.  Furthermore, a romance novel must have an “emotionally satisfying and optimistic ending.”

Some romance novel authors and readers believe the genre has additional restrictions, from plot considerations such as the protagonists meeting early on in the story, to avoiding themes such as adultery.  Disagreements have centered on the firm requirement for a happy ending, or the place of same-sex relationships within the genre.  Some readers admit stories without a happy ending, if the focus of the story is on the romantic love between the two main characters (e.g. Romeo and Juliet). Others believe the definition should be more strictly worded to include only heterosexual pairing. While the majority of romance novels meet the stricter criteria, there are also many books that are widely considered to be romance novels that deviate from these rules. Therefore, the general definition, as embraced by the RWA and publishers, includes only the focus on a developing romantic relationship and an optimistic ending.

As long as a romance novel meets that twin criteria, it can be set in any time period and in any location. There are no specific restrictions on what can or cannot be included in a romance novel.  Even very controversial subjects are addressed in romance novels, including topics such as date rape, domestic violence, addiction, and disability.  The combination of time frame, location, and plot elements does, however, help a novel to fit into one of several romance subgenres.   Despite the numerous possibilities this framework allows, many people in the mainstream press claim that “all [romance novels] seem to read alike.”


posted by BevK  |   11:03 PM  |   0 comments
Wednesday, September 08, 2010

Romance Writers Take Note!

The Emerald City Writers’ Conference, which is sponsored by the Greater Seattle Romance Writers of America (GSRWA), will be held in Bellevue, Washington, October 1 – 3.  I am preparing to attend this conference, and I look forward to seeing fellow writers there.

GSRWA is a chapter of Romance Writers of America (RWA), a national non-profit genre writers association.  RWA provides networking and support to individuals seriously pursuing a career in romance fiction and supports top authors such as Nora Roberts and Judith McNaught.

Founded in 1980 in Houston, Texas, the RWA has long been an advocacy group for their published members. Their current mission statement indicates that the purpose of the RWA is to “advance the professional interests of career-focused romance writers through networking and advocacy.”  There are now more than 10,000 romance writers and related industry professionals that are members of this organization.

The Emerald City Writers’ Conference is held each year in the fall, and is currently the largest conference on the West Coast for romance writers.  This year’s conference offers more than 50 workshops to choose from.  The list includes:

  • Legal Issues for Writers
  • Blogs & More: Building Name Recognition Inside and Outside the Box
  • My Stupid Word List or How to De-Clutter Your Prose
  • Weird & Wacky, Wild & Wondrous, Wordbuilding 101
  • Researching Historicals & Bringing Them to Life
  • Talk to the Press & Get the Press to Listen
  • Writing Killer Back-Cover Copy
  • Sympathy for the Devil – Dark Heroes & Heroines
  • How to Dress the Medieval Knight and His
  • Fling Factor – An Insider’s Guide to Making Law Enforcement Characters Real
  • Reinventing Yourself in a Dynamic if Depressed Market

With so many wonderful workshops offered, it is going to be difficult to choose which ones to attend!  I am excited about this conference, and I am looking forward to learning and networking with other writers.


posted by BevK  |   10:52 PM  |   0 comments
Wednesday, September 08, 2010

Romance Writers of America

Romance Writers of America (RWA), founded in 1980 in Houston, Texas, has long been an advocacy group for their published members.  It has persuaded Harlequin books to register copyrights for authors’ works and to allow writers to own their own pseudonyms.  Previously, authors were forced to leave their pseudonym behind if they switched publishing houses, making it more difficult for their fans to follow.

In 2000, the RWA had an operating budget of over $1 million, the largest of any professional genre writers’ organization.  The organization had over 10,000 members and over 150 chapters.  One of chapters in Washington is Seattle Romance Writers of America. These include chapters arranged geographically as well as special-interest online chapters that focus on themes such as medical romance.   Approximately 2,000 of the members have had books published.

The RWA was formed to assist authors of romance novels.  General Membership in RWA is open to those actively pursuing a career in romance fiction regardless of publishing status. A writer does not need to be published to join but must be working toward that goal.  Associate Membership is available to publishers, editors, agents and other industry professionals who work in the romance publishing field. Associate members do not have the right to vote and are ineligible to hold office.  Affiliate Membership is available to librarians and booksellers.

Every summer, the RWA holds a national conference. Each year, some of the workshops are business-oriented, focusing on how to pitch a novel or write for multiple publishers.  Other workshops focus on creative pursuits, including how to use swords and sword fights in a story line, how to use firefighter lingo, or how to pick the cover art for your book. The annual conference features a literacy signing, where the public is invited to meet close to 500 authors and gain autographs. The RWA funds several scholarships for members to attend the national conference. The scholarships pay for travel, lodging, and registration fees. The event also raises funds for literacy charities.  The conference ends with the RITA and Golden Heart awards ceremony.   Future conference sites include New York City (2011), San Diego (2012), and Atlanta (2013).


posted by BevK  |   10:30 PM  |   0 comments
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